| Melina Mercouri Μελίνα Μερκούρη |
|
|---|---|
Melina Mercouri (in Stockholm, 1982) |
|
| Born | Maria Amalia Mercouri 18 October 1920 Athens, Greece |
| Died | 6 March 1994 (aged 73) New York City, New York, U.S. |
| Occupation | Actress, Member of the Hellenic Parliament, Minister for Culture of Greece |
| Spouse | Panos Harokopos (1941–62; divorced) Jules Dassin (1966–94; her death) |
| Parents | Stamatis Mercouris (father) Eirini Lappa (mother) |
Melina Mercouri (Greek: Μελίνα Μερκούρη), born as Maria Amalia Mercouri (18 October 1920 – 6 March 1994) was a Greek actress, singer and politician.
As an actress she made her film debut in Stella (1955) and met international success with her performances in Never on Sunday, Phaedra, Topkapi and Promise at Dawn. She won the award for Best Actress at the 1960 Cannes Film Festival, and she was also nominated for an Academy Award, three Golden Globe Awards, and two BAFTA Awards.
A political activist during the Greek military junta of 1967–1974, she became a member of the Hellenic Parliament in 1977 and the first female Minister for Culture of Greece in 1981. Mercouri was the person who, in 1983, conceived and proposed the programme of the European Capital of Culture, which has been established by the European Union since 1985.
She was a strong advocate for the return of the Parthenon Marbles, which were removed from the Parthenon and are now displayed in the British Museum, to Athens.[1]
Contents |
Maria Amalia Mercouri was born in Athens, Greece in 1920, the daughter of Stamatis Mercouris, a former cavalry officer, member of Parliament for the Democratic Socialist Party of Greece and former Minister for Public Order of Greece, and Eirini Lappa, originated from a prominent family of Athens. Spyridon Merkouris, her paternal grandfather, was one of the most successful Mayors of Athens and played a major role in her early life.
When she completed her secondary education, she was admitted to the National Theatre's Drama School after reciting a poem by Kostas Karyotakis. Dimitris Rontiris was her teacher and she graduated in 1944.
Aged 21, she married her first husband, Panos Harokopos, a wealthy landowner; they divorced in 1962.
After her graduation, Mercouri joined the National Theatre of Greece and played the role of Electra in Eugene O'Neill's play Mourning Becomes Electra in 1945. In 1949 she had her first major success in the theatre playing Blanche DuBois in A Streetcar Named Desire, written by Tennessee Williams and staged by Karolos Koun's Art Theatre. Until 1950, she also worked in the same theatre in other plays by Aldous Huxley, Arthur Miller, Philip Jordan and André Roussin. She then moved to Paris, where she appeared in boulevard plays by Jacques Deval and Marcel Achard, and met famous French playwrights and novelists such as Jean Cocteau, Jean-Paul Sartre, Colette and Françoise Sagan. In 1953, she received the Marika Kotopouli Prize and returned to Greece two years later. At the Kotopouli-Rex Theatre, Mercouri starred in plays like Macbeth by William Shakespeare and L'Alouette by Jean Anouilh.
Her first movie was the Greek language film Stella (1955), directed by Michael Cacoyannis (also the director of Zorba the Greek). The film received special praise at the 1956 Cannes Film Festival, where she met for first time the American film director Jules Dassin, with whom she would share her life, as they got married in 1966, and career. As a start, the next year she starred in the latter's He Who Must Die and other films by Dassin followed featuring Mercouri, such as The Law (1959).
She became well-known to international audiences when she starred in Never on Sunday (1960), in which Dassin was the director and co-star. For this film, Mercouri received the Best Actress Award at the 1960 Cannes Film Festival and was nominated for the Academy Award for Best Actress and the BAFTA Award for Best Actress in a Leading Role.[2]
After her first major international success, she went on to star in Phaedra (1962), for which she was nominated again for the BAFTA Award and the Golden Globe Award for Best Actress in Motion Picture Drama. The recognition of her acting talent did not stop though, as her role in Topkapi (1964) granted her one more nomination, this time for the Golden Globe Award for Best Actress in Motion Picture Musical or Comedy. Mercouri worked with other famous directors as well, such as Joseph Losey, Vittorio De Sica, Ronald Neame, Carl Foreman, Norman Jewison, and starred in films like Spanish language The Uninhibited by Juan Antonio Bardem. She continued her stage career in the Greek production of Tennessee Williams's Sweet Bird of Youth (1960), under the direction of Karolos Koun. In 1967, she played the leading role in Illya Darling (from 11 April 1967 to 13 January 1968) at Broadway, for which she was nominated for the Tony Award for Best Performance by a Leading Actress in a Musical, while her performance in Promise at Dawn (1970) gave her another Golden Globe Award nomination.
On 11 June 1967, Mercouri appeared on one of the final episodes of "What's My Line" (the venerable panel show would leave the air that fall, after seventeen years). After the panel were blindfolded, a strange man appeared on-stage and proclaimed himself "the second mystery guest". Host John Charles Daly quickly called for "the relieving crew" and said "schedule two" (a code word used on live broadcasts in case of an emergency: the cameras are turned to a neutral position and the sound is cut off). The man talked a bit about a dating service he apparently owned before being hustled off the stage by announcer Johnny Olsen and executive producer Gil Fates. Daly merely apologized to the panel, and the program continued.[3]
Melina Mercouri concentrated on her stage career for the following years, playing in the Greek productions of The Threepenny Opera and, for a second time, Sweet Bird of Youth, in addition to the ancient Greek tragedies Medea and Oresteia.
She retired from film acting in 1978, when she played in her last film, A Dream of Passion, directed by her husband Jules Dassin. Her last performance on stage was in the opera Pylades at the Athens Concert Hall in 1992, portraying Clytemnestra.
One of her first songs was by Manos Hadjidakis and Nikos Gatsos. It was titled Hartino to Fengaraki ("Papermoon") and was a part of the Greek production of A Streetcar Named Desire in 1949, in which she starred as Blanche DuBois. The first official recording of this, now-legendary song was made by Nana Mouskouri in 1960, although the company Sirius, created by Manos Hadjidakis, issued in 2004 a recording that Melina made for French TV during the 1960s. Her recordings 'Athenes, ma Ville', a collaboration with Vangelis, and 'Melinaki' were popular in France. Her recording of 'Feggari mou, Agapi mou' (Phaedra) was quite popular and was later covered by Haris Alexiou.
At the time of the coup d'état in Greece by a group of colonels of the Greek military on 21 April 1967, she was in the United States, playing in Illya Darling. She immediately joined the struggle against the Greek Military Junta and started an international campaign, travelling all over the world to inform the public and contribute to the isolation and fall of the colonels. As a result, the dictatorial regime revoked her Greek citizenship and confiscated her property. When her citizenship was taken away, she said: "I was born a Greek and I will die a Greek. Mr. Pattakos (one of the colonels) was born a fascist and he will die a fascist", a phrase which represented her love of Greece and democracy.
There were terrorist attempts against her, including an assassination attempt in Genoa, Italy. However, she did not stop her fight against the dictatorship with interviews, concerts marches and speeches given all around the world. During those years she recorded four records in France, one with Greek lyrics and the other three with French lyrics, all created by Greek musicians. They were highly popular, and since being remastered and reissued, are still critically acclaimed.
After the fall of the Junta and during the metapolitefsi in 1974, Mercouri settled in Greece and was one of the founding members of the Panhellenic Socialist Movement (PASOK), a centre-left political party. She was a member of the party's Central Committee and a rapporteur for the Culture Section, while being involved in the women's movement as well. In the Greek legislative elections of 1974, she was a PASOK candidate in the Piraeus B constituency, but the 7,500 votes were not enough to secure a seat for her in the Hellenic Parliament (she needed 33 more votes), something that came true in the elections of 1977, when she obtained the highest number of votes in the whole of Greece.
When PASOK won the elections of 1981, Melina Mercouri was appointed Minister for Culture of Greece, being the first female in that post. She would serve in that position for two terms until 1989, when PASOK lost the elections and New Democracy formed a cabinet. As Minister for Culture, Mercouri took advantage of her fame abroad and got in contact with great European leaders in order to promote Greece. She strongly advocated the return to Athens of the Parthenon Marbles, that were removed from Parthenon and other buildings on the Acropolis of Athens by Thomas Bruce, 7th Earl of Elgin, and are now part of the British Museum collection in London. In anticipation of the return of the marbles, she held an international competition for the construction of the New Acropolis Museum, designated to display them and finally established in 2008.
One of her greatest achievements was the establishment of the institution of the European Capital of Culture within the framework of cultural policy of the European Union, that she had conceived and proposed in 1983, with Athens inaugurating this institution being the first title-holder in 1985, while she was a devoted supporter of the Athens bid to host the Centennial Olympic Games. In 1983, during the first Greek presidency of the Council of the European Union, Mercouri invited the Ministers for Culture of the other nine member states of the European Union at Zappeion, in order to increase the people's cultural awareness, since there was not any reference to cultural questions in the Treaty of Rome, which led to the establishment of formal sessions between the Ministers of Culture of the European Union. During the second presidency of Greece in 1988, she supported the cooperation between Eastern Europe and the European Union, which was finally implemented one year later with the celebration of the Month of Culture in Eastern countries.
Mercouri also commissioned a study for the integration of all the archaeological sites of Athens so as to create an archaeological park free from traffic, where residents and visitors could enjoy the history of the city. In order to promote the Greek culture, she introduced free access to museums and archaeological sites for Greek citizens, organized a series of exhibitions of Greek cultural heritage and modern Greek art worldwide, supported the restoration of buildings of special architectural interest and the completion of the Athens Concert Hall, backed the project of the Museum of Byzantine culture in Thessaloniki, established annual literary pizes, promoted Greek cinema and finally established the municipal theatres and conservatories.
In the legislative elections of November 1989, PASOK lost and Mercouri was elected a member of the Hellenic Parliament and remained a member of the party's Executive Bureau. In 1990, she was a candidate for Mayor of Athens but despite her popularity, she was defeated by Antonis Tritsis in a municipality which traditionally provided New Democracy with strong support. After PASOK's win in the election of 1993, she was back at the Ministry for Culture. Her major goals in this second term in office were: to create a cultural park in the Aegean Sea in order to protect and enhance the environment and civilization of the Aegean Islands, and to link culture with education at all education levels, introducing a system of post-training of teachers.
Melina Mercouri died on 6 March 1994 at Memorial Sloan-Kettering Cancer Center, New York City, from lung cancer, aged 73. She was survived by her husband, Jules Dassin. She received a state funeral with Prime Minister's honors at the First Cemetery of Athens four days later. Thousands attended her funeral.
| Political offices | ||
|---|---|---|
| Preceded by Andreas Andrianopoulos |
Minister for Culture of Greece 1981–1989 |
Succeeded by Georgios Mylonas |
| Preceded by Dora Bakoyannis |
Minister for Culture of Greece 1993–1994 |
Succeeded by Thanos Mikroutsikos |
|
||||||||
|
|
|||||